Imperialism, Aesthetics and Pedagogy in Guido Adler (1855-1941): A Challenge for the Musicology of the Present. Edition and Translation of Guido Adler’s Scope, Method and Aim of the Science of Music (1885)

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This article discusses the famous article by Guido Adler, “Scope, Method, and Objective of the Science of Music” (1885), which is considered the foundational theoretical document of musicology as a discipline, and presents the first edition and translation of the text in Spanish. It analyzes the his...

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Autor principal:	Martín Sáez, Daniel
Formato:	Artículo revista
Lenguaje:	Español
Publicado:	Facultad de Filosofía y Letras, Universidad de Buenos Aires 2024
Materias:	Musicología Ciencia Estética Política Pedagogía Musicologia Ciência Pedagogia Musicology Science Aesthetics Politics Pedagogy
Acceso en línea:	https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/12968
Aporte de:	El oído pensante de Universidad de Buenos Aires

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institution	Universidad de Buenos Aires
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container_title_str	El oído pensante
language	Español
format	Artículo revista
topic	Musicología Ciencia Estética Política Pedagogía Musicologia Ciência Estética Política Pedagogia Musicology Science Aesthetics Politics Pedagogy
spellingShingle	Musicología Ciencia Estética Política Pedagogía Musicologia Ciência Estética Política Pedagogia Musicology Science Aesthetics Politics Pedagogy Martín Sáez, Daniel Imperialism, Aesthetics and Pedagogy in Guido Adler (1855-1941): A Challenge for the Musicology of the Present. Edition and Translation of Guido Adler’s Scope, Method and Aim of the Science of Music (1885)
topic_facet	Musicología Ciencia Estética Política Pedagogía Musicologia Ciência Estética Política Pedagogia Musicology Science Aesthetics Politics Pedagogy
author	Martín Sáez, Daniel
author_facet	Martín Sáez, Daniel
author_sort	Martín Sáez, Daniel
title	Imperialism, Aesthetics and Pedagogy in Guido Adler (1855-1941): A Challenge for the Musicology of the Present. Edition and Translation of Guido Adler’s Scope, Method and Aim of the Science of Music (1885)
title_short	Imperialism, Aesthetics and Pedagogy in Guido Adler (1855-1941): A Challenge for the Musicology of the Present. Edition and Translation of Guido Adler’s Scope, Method and Aim of the Science of Music (1885)
title_full	Imperialism, Aesthetics and Pedagogy in Guido Adler (1855-1941): A Challenge for the Musicology of the Present. Edition and Translation of Guido Adler’s Scope, Method and Aim of the Science of Music (1885)
title_fullStr	Imperialism, Aesthetics and Pedagogy in Guido Adler (1855-1941): A Challenge for the Musicology of the Present. Edition and Translation of Guido Adler’s Scope, Method and Aim of the Science of Music (1885)
title_full_unstemmed	Imperialism, Aesthetics and Pedagogy in Guido Adler (1855-1941): A Challenge for the Musicology of the Present. Edition and Translation of Guido Adler’s Scope, Method and Aim of the Science of Music (1885)
title_sort	imperialism, aesthetics and pedagogy in guido adler (1855-1941): a challenge for the musicology of the present. edition and translation of guido adler’s scope, method and aim of the science of music (1885)
description	This article discusses the famous article by Guido Adler, “Scope, Method, and Objective of the Science of Music” (1885), which is considered the foundational theoretical document of musicology as a discipline, and presents the first edition and translation of the text in Spanish. It analyzes the historical, political, and philosophical significance of the text, focusing especially on the theoretical foundation of his approach. Especially, it analyzes his idea of music, defined as a tonal art that develops historically through various styles, embodied in scores and musical forms by multiple peoples and nations, which over time give rise to a science and an increasingly defined aesthetic reality, which would bring us closer to truth and beauty. Its intention is to incite reflection on the foundations of the discipline, for which Adler’s text remains a challenge.
publisher	Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate	2024
url	https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/12968
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first_indexed	2024-08-13T20:44:17Z
last_indexed	2025-12-13T05:01:20Z
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spelling	I28-R250-article-129682025-12-11T21:12:13Z Imperialism, Aesthetics and Pedagogy in Guido Adler (1855-1941): A Challenge for the Musicology of the Present. Edition and Translation of Guido Adler’s Scope, Method and Aim of the Science of Music (1885) Imperialismo, estética y pedagogía en Guido Adler (1855-1941): un reto para la musicología del presente. Edición y traducción de Alcance, método y objetivo de la ciencia de la música (1885) de Guido Adler Imperialismo, estética e pedagogia em Guido Adler (1855-1941): um desafio para a musicologia do presente. Edição e tradução de Alcance, Método e Objectivo da Ciência da Música (1885) de Guido Adler Martín Sáez, Daniel Musicología Ciencia Estética Política Pedagogía Musicologia Ciência Estética Política Pedagogia Musicology Science Aesthetics Politics Pedagogy This article discusses the famous article by Guido Adler, “Scope, Method, and Objective of the Science of Music” (1885), which is considered the foundational theoretical document of musicology as a discipline, and presents the first edition and translation of the text in Spanish. It analyzes the historical, political, and philosophical significance of the text, focusing especially on the theoretical foundation of his approach. Especially, it analyzes his idea of music, defined as a tonal art that develops historically through various styles, embodied in scores and musical forms by multiple peoples and nations, which over time give rise to a science and an increasingly defined aesthetic reality, which would bring us closer to truth and beauty. Its intention is to incite reflection on the foundations of the discipline, for which Adler’s text remains a challenge. En este artículo analizamos el célebre artículo de Guido Adler, “Alcance, método y objetivo de la ciencia de la música” (1885), considerado el documento teórico fundacional de la musicología como disciplina, del que además presentamos la primera edición y traducción del texto en español. Para ello, abordamos el contexto histórico, político y filosófico en que surgió, centrándonos especialmente en el fundamento teórico de su planteamiento. En especial, analizamos su idea de la música, definida como un arte tonal que se desarrolla históricamente a través de diversos estilos, plasmados en partituras y formas musicales por múltiples pueblos y naciones, que con el tiempo dan lugar a una ciencia y a una realidad estética cada vez más definida, que nos acercaría a la verdad y a la belleza. Nuestra intención es incitar la reflexión sobre el fundamento de la disciplina, para lo cual el texto de Adler sigue siendo un reto. Neste artigo analisamos o célebre artigo de Guido Adler, “Alcance, Método e Objetivo da Ciência da Música” (1885), considerado o documento teórico fundacional da musicologia como disciplina, do qual apresentamos também a primeira edição e tradução do texto em espanhol. Para o efeito, abordamos o contexto histórico, político e filosófico em que surgiu, centrando-nos especialmente nos fundamentos teóricos da sua abordagem. Analisamos, em particular, a sua ideia de música, definida como uma arte tonal que se desenvolve historicamente através de vários estilos consubstanciados em partituras e formas musicais de múltiplos povos e nações que, ao longo do tempo, dão origem a uma ciência e a uma realidade estética cada vez mais definida que nos aproximaria da verdade e da beleza. A nossa intenção é estimular a reflexão sobre os fundamentos da disciplina, para a qual o texto de Adler continua a ser um desafio. Facultad de Filosofía y Letras, Universidad de Buenos Aires 2024-03-13 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/12968 10.34096/oidopensante.v12n1.12968 El oído pensante; Vol. 12 No. 1 (2024): Abril 2024 - Septiembre 2024 El oído pensante; Vol. 12 Núm. 1 (2024): Abril 2024 - Septiembre 2024 El oído pensante; v. 12 n. 1 (2024): Abril 2024 - Septiembre 2024 2250-7116 spa https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/12968/12704 Derechos de autor 2024 El oído pensante

Imperialism, Aesthetics and Pedagogy in Guido Adler (1855-1941): A Challenge for the Musicology of the Present. Edition and Translation of Guido Adler’s Scope, Method and Aim of the Science of Music (1885)

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