Música moderna: The New Wave in the Spanish Context

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This research reflects on the new wave as a musical genre and its problems when it comes to locating it into the Spanish context through the particular case of la Movida and the Radio Futura group. Features such as pastiche, irony, or negotiations around the concept of modernity that appeared in the...

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Autor principal: Arenillas Meléndez, Sara
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2024
Materias:
new wave
posmodernidad
ironía
la Movida
Radio Futura
posmodernidade
ironia
New wave
modernity
irony
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/12721
Aporte de:
El oído pensante de Universidad de Buenos Aires
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spelling I28-R250-article-127212025-12-11T21:12:13Z Música moderna: The New Wave in the Spanish Context Música moderna: la new wave en el contexto español Música moderna: a new wave no contexto español Arenillas Meléndez, Sara new wave posmodernidad ironía la Movida Radio Futura new wave posmodernidade ironia la Movida Radio Futura New wave modernity irony la Movida Radio Futura This research reflects on the new wave as a musical genre and its problems when it comes to locating it into the Spanish context through the particular case of la Movida and the Radio Futura group. Features such as pastiche, irony, or negotiations around the concept of modernity that appeared in the eighties are approached. The methodology used considers tools taken from cultural studies, popular music studies, as well as others borrowed from musicology, particularly for the analysis of some musical elements. At first, contradictions inside the new wave as a musical genre and its struggling relationship with postmodernity are addressed. Secondly, the example of Radio Futura is analysed as one of the groups that put the new wave into the Spanish popular music scenes of the eighties. Finally, through the song “Enamorado de la moda juvenil” features such as the new wave’s punk legacy or irony are analysed to think about how these elements work outside the British and American contexts. En el trabajo se reflexiona sobre la new wave como género musical y sus problemas a la hora de trasladarla al contexto español a través del caso particular de la Movida y del grupo Radio Futura. Se abordan elementos como el pastiche, la ironía y las negociaciones sobre el concepto de modernidad surgidas en el entorno de los ochenta. La metodología aplicada tiene en cuenta estrategias procedentes de los estudios culturales, así como otras extraídas de la musicología tradicional para el análisis de ciertos elementos musicales. Así, en una primera sección se abordan los problemas y contradicciones de la new wave y su conflictiva relación con la posmodernidad. En un segundo apartado, se examina el caso concreto de Radio Futura como banda que adaptaba, en sus inicios, este género al ámbito español. Por último, se analizan a través de la canción “Enamorado de la moda juvenil”, aspectos propios de la new wave, como la herencia del punk o la articulación de ironía, y se problematiza su funcionamiento fuera de las escenas anglosajonas. O trabalho apresentado reflete sobre a new wave como género musical e os seus problemas quando se trata de a transferir para o contexto espanhol através do caso particular de la Movida e do grupo Radio Futura. São abordados elementos como o pastiche, a ironia ou as negociações sobre o conceito de modernidade que surgiram no contexto dos anos oitenta. A metodologia aplicada considera estratégias dos estudos culturais, bem como outras extraídas da musicologia tradicional para a análise de determinados elementos musicais. Assim, numa primeira secção são abordados os problemas e contradições da new wave e a sua relação conflituosa com a pós-modernidade. Numa segunda secção, examina-se o caso específico da Radio Futura enquanto banda que inicialmente adaptou este género ao contexto espanhol. Por fim, analisam-se aspectos da new wave como a herança do punk ou a articulação da ironia através da canção “Enamorado de la moda juvenil”, e problematiza-se o seu funcionamento fora das cenas anglo-saxónicas. Facultad de Filosofía y Letras, Universidad de Buenos Aires 2024-03-13 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/12721 10.34096/oidopensante.v12n1.12721 El oído pensante; Vol. 12 No. 1 (2024): Abril 2024 - Septiembre 2024 El oído pensante; Vol. 12 Núm. 1 (2024): Abril 2024 - Septiembre 2024 El oído pensante; v. 12 n. 1 (2024): Abril 2024 - Septiembre 2024 2250-7116 spa https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/12721/12706 Derechos de autor 2024 El oído pensante
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-250
container_title_str El oído pensante
language Español
format Artículo revista
topic new wave
posmodernidad
ironía
la Movida
Radio Futura
new wave
posmodernidade
ironia
la Movida
Radio Futura
New wave
modernity
irony
la Movida
Radio Futura
spellingShingle new wave
posmodernidad
ironía
la Movida
Radio Futura
new wave
posmodernidade
ironia
la Movida
Radio Futura
New wave
modernity
irony
la Movida
Radio Futura
Arenillas Meléndez, Sara
Música moderna: The New Wave in the Spanish Context
topic_facet new wave
posmodernidad
ironía
la Movida
Radio Futura
new wave
posmodernidade
ironia
la Movida
Radio Futura
New wave
modernity
irony
la Movida
Radio Futura
author Arenillas Meléndez, Sara
author_facet Arenillas Meléndez, Sara
author_sort Arenillas Meléndez, Sara
title Música moderna: The New Wave in the Spanish Context
title_short Música moderna: The New Wave in the Spanish Context
title_full Música moderna: The New Wave in the Spanish Context
title_fullStr Música moderna: The New Wave in the Spanish Context
title_full_unstemmed Música moderna: The New Wave in the Spanish Context
title_sort música moderna: the new wave in the spanish context
description This research reflects on the new wave as a musical genre and its problems when it comes to locating it into the Spanish context through the particular case of la Movida and the Radio Futura group. Features such as pastiche, irony, or negotiations around the concept of modernity that appeared in the eighties are approached. The methodology used considers tools taken from cultural studies, popular music studies, as well as others borrowed from musicology, particularly for the analysis of some musical elements. At first, contradictions inside the new wave as a musical genre and its struggling relationship with postmodernity are addressed. Secondly, the example of Radio Futura is analysed as one of the groups that put the new wave into the Spanish popular music scenes of the eighties. Finally, through the song “Enamorado de la moda juvenil” features such as the new wave’s punk legacy or irony are analysed to think about how these elements work outside the British and American contexts.
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2024
url https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/12721
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first_indexed 2024-08-13T20:44:17Z
last_indexed 2025-12-13T05:01:20Z
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