TESIS DOCTORAL Figuración de los Cuerpos Nómades. Dinámicas de la ...
This thesis seeks to enlighten the political power of images, about their capacities (and their limitations) at a rebelius time against the representations of power, and to highlight the modalities of iconic display of bodies at a time when they are 'nomadic'. This general purpose takes sh...
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| Formato: | Tesis doctoral acceptedVersion |
| Lenguaje: | Español |
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Universidad de Buenos Aires. Facultad de Arquitectura, Diseño y Urbanismo
2023
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| Acceso en línea: | http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=aaqtesis&cl=CL1&d=HWA_7574 https://repositoriouba.sisbi.uba.ar/gsdl/collect/aaqtesis/index/assoc/HWA_7574.dir/7574.PDF |
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| Sumario: | This thesis seeks to enlighten the political power of images, about their capacities (and their limitations) at a rebelius time against the representations of power, and to highlight the modalities of iconic display of bodies at a time when they are 'nomadic'. This general purpose takes shape in a partial aspect of the matter: the graphic ways in which LGBTQ+ collectives had used images, in the period 2000-2020, to pose strategies of self-figuration. We contemplate that the identity figurations of the LGTBQ+ collectives had not followed a linear process, but rather that they put on display tensions and detentes of two types: those inherent to the image in its current and historical dimensions and those of the particular character of the studied collective in which, unlike other collectives, there is no previous social group, nor previous community, genealogical, to the fact of its grouping. The thesis identifies, in an expanded constellation, the bipolar effects of the representation/figuration pair, pointing out the moments of rupture that bridge the gap between two worlds, the figurative one that pulsates and hatches and the one of the dominant images that repeats and stereotype. In order to reach these conclusions, three traces of memory are traced: historical survivals, individual memory and the particular memory with which the collective identifies itself. |
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