LOS DESAPARECIDOS DEL CONFLICTO DE IRLANDA DEL NORTE Y LA COMISIÓN DE LA...
This article explores the ways in which the Derridean notion of hauntology permeates the works of David Farrell and David Park because the voices and bodies of the disappeared of the Northern Irish conflict (1968-1998), now specters, fracture linear conceptions of temporality and assert an 'alw...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Universidad de Buenos Aires. Facultad de Derecho. Departamento de Publicaciones
2023
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| Acceso en línea: | http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=juridica&cl=CL1&d=HWA_7406 https://repositoriouba.sisbi.uba.ar/gsdl/collect/juridica/index/assoc/HWA_7406.dir/7406.PDF |
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| Sumario: | This article explores the ways in which the Derridean notion of hauntology permeates the works of David Farrell and David Park because the voices and bodies of the disappeared of the Northern Irish conflict (1968-1998), now specters, fracture linear conceptions of temporality and assert an 'always-already absent-present'. Then it highlights how David Farrell's photographs of places of disappearance allow, through the encounter of specters, the Derridean dissemination of an indestructible and irreducible truth. And finally, it shows how politics through art (photography and the novel) in its essence is engaged by this spectrality. David Park in his novel ?The Truth Commissioner? (2008) invents a Truth and Reconciliation Commission in Northern Ireland and his characters like David Farrell?s photographs are given over to the voices of the specters they have inherited from the Northern Irish conflict |
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