TESIS DOCTORAL De la teoría cultural francesa a una práctica política...
Taking as its major reference a French literary and aesthetical framework wrought in the emergence in Paris at the dawn of the XXth Century of a new theory and doctrine and a brand new system of ideas and beliefs, the Museo Nacional de Arte Decorativo (MNAD) was created in Buenos Aires by a law of C...
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| Formato: | Tesis doctoral acceptedVersion |
| Lenguaje: | Español |
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Facultad de Arquitectura, Diseño y Urbanismo
2018
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| Acceso en línea: | http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=aaqtesis&cl=CL1&d=HWA_5075 https://repositoriouba.sisbi.uba.ar/gsdl/collect/aaqtesis/index/assoc/HWA_5075.dir/5075.PDF |
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| Sumario: | Taking as its major reference a French literary and aesthetical framework wrought in the emergence in Paris at the dawn of the XXth Century of a new theory and doctrine and a brand new system of ideas and beliefs, the Museo Nacional de Arte Decorativo (MNAD) was created in Buenos Aires by a law of Congress in 1937, after a rich and capital debate on the floor of the Senate. This ideological coming-to-terms gave its momentum to an epoch-making change in order to bring about a national and popular, democratical and educational modern design of Argentina under the aegis of, literally, the most modern of disciplines, Design. Under cover of a then accepted social and cultural formula, that of 'Decorative Arts', an utterly new and long-standing realm, that of Design, was taking shape and accumulating symbolical capital in the decade inaugurated by the electoral triumph of Peronism in 1946. Since then, under the direction of the French (or 'francised') literary scholar Ignacio Pirovano, the MNAD was called to perform a major role in the cultural revolution of everyday life. Two mandates of Peronist governments (1946-1955) provided materially for this revolutionary experiment. French Literary and Cultural Theory was duly appropiated and turned out as the cornerstone and spur to set in motion the practices of the then still vague notion of Design. After 1955, the coincidence of French Theory and MNAD direction was to be continued in the person of Federico Aldao, professor of French Literature at the University of Buenos Aires (UBA). |
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