Derecho, justicia y la representación Del nómos griego en el ciclo...
In a legal sense, nomos designates a civic norm that is result of the popular deliberation in the Assembly. However, in Sophocles' Theban plays this concept is not only used to mention the law derived from the will of the people: nomos also designates the divine law In this context, there are t...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Universidad de Buenos Aires. Facultad de Derecho. Departamento de Publicaciones
2017
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| Acceso en línea: | http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=juridica&cl=CL1&d=HWA_3920 https://repositoriouba.sisbi.uba.ar/gsdl/collect/juridica/index/assoc/HWA_3920.dir/3920.PDF |
| Aporte de: |
| Sumario: | In a legal sense, nomos designates a civic norm that is result of the popular deliberation in the Assembly. However, in Sophocles' Theban plays this concept is not only used to mention the law derived from the will of the people: nomos also designates the divine law In this context, there are two positions. On the one hand, several authors have made a sharp separation between two kinds of norms (one divine and the other human). On the other hand, some authors (especially Harris) have questioned this position and have demonstrated that in tragedies both normative orders have a symbiotic relationship. Following this last point of view, in this paper we will study the representation of nomos and its relation to the divine in Antigone, Oedipus Rex and Oedipus at Colonus. We will explain how the law of the gods is the law of the city (and vice versa) and we will present its characteristics. |
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