Family Portrait, Television and Crisis of Representation in "Los Albornoz ( Delicias de una familia argentina )" by Los Macocos
The incorporation of the television in the play Los Albornoz (2001) by Los Macocos produces a fusion between media and the family gaze to unsettle and dismantle conventional notions of family in the face of crisis, millennium, and changing identity paradigms. This study examines ho...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2006
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/9515 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=9515_oai |
| Aporte de: |
| Sumario: | The incorporation of the television in the play Los Albornoz (2001) by Los Macocos produces a fusion between media and the family gaze to unsettle and dismantle conventional notions of family in the face of crisis, millennium, and changing identity paradigms. This study examines how the presence of the television proposes alternative notions of collective identity and belonging, which oftentimes contrast with the theatrical horizons of expectations. |
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