From seismology to utopia : Lautaro Vilo's "Cáucaso"
Lautaro Vilo's Cáucaso (2006) focuses on the military take-over of the Dubrovka theatre in Moscow in 2002, in order to pose the impossibility of representing traumatic experience. Relying on an aesthetic that is more Brechtian than realist-illusionist, the performance reflects diverse functions...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
| Publicado: |
Facultad de Filosofía y Letras, Universidad de Buenos Aires
2006
|
| Materias: | |
| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/9504 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=9504_oai |
| Aporte de: |
| Sumario: | Lautaro Vilo's Cáucaso (2006) focuses on the military take-over of the Dubrovka theatre in Moscow in 2002, in order to pose the impossibility of representing traumatic experience. Relying on an aesthetic that is more Brechtian than realist-illusionist, the performance reflects diverse functions of theatrical metadiscourse , imagination and theatrical production, and questions the possibility of bearing witness to an historical event. |
|---|