La voz femenina indígena como ejercicio de resistencia: el caso de Luisa Calcumil
My aim in this article is to focus on the aspect in Luisa Calcumill's theatre that deals with identity. In the process of re-establishing a connection to the past she uses a specific dramatic language that reveals the problematic complexity and the seemingly eternal split between the indigenous...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2007
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/9486 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=9486_oai |
| Aporte de: |
| Sumario: | My aim in this article is to focus on the aspect in Luisa Calcumill's theatre that deals with identity. In the process of re-establishing a connection to the past she uses a specific dramatic language that reveals the problematic complexity and the seemingly eternal split between the indigenous and european heritage. |
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