Diálogos entre el cine y el teatro en "El sabor de la derrota" del grupo La Bohemia
The aim of this paper is to study the relationship among movies, drama and literature and its intetextuality in Buenos Aires underground theatre. We analize the play El sabor de la derrota (2004) by Sergio Boris, in which the actors have re-elaborated theme and procedures of Leonardo Favio´s film El...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2007
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/9480 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=9480_oai |
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| Sumario: | The aim of this paper is to study the relationship among movies, drama and literature and its intetextuality in Buenos Aires underground theatre. We analize the play El sabor de la derrota (2004) by Sergio Boris, in which the actors have re-elaborated theme and procedures of Leonardo Favio´s film El romance del Aniceto y la Francisca. By making a parody of gauchesca style, they satyrize present argentine speculative finantial situation. |
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