Identidad, ajedrez, masonería en "Don Juan o el amor por la geometría" de Max Frisch
Don Juan by Max Frisch is a masterpiece, with an operatic structure after Mozart and a witty metatheatrical technique. The cross reference to opera helps to include elements of Masonic symbolism not just in the suggested set design but also in a leading character who -trying to escape from what...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2007
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/9477 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=9477_oai |
| Aporte de: |
| Sumario: | Don Juan by Max Frisch is a masterpiece, with an operatic structure after Mozart and a witty metatheatrical technique. The cross reference to opera helps to include elements of Masonic symbolism not just in the suggested set design but also in a leading character who -trying to escape from what's expected from him- seeks refuge in Geometry, which in the end will lead him into a trap. Nevertheless, a close reading would allow us to discover that the characters and their ups and downs, are but chessmen moved by Max Frisch's master hand. |
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