Relación entre los cambios de la configuración dramática y los del discurso crítico
This work attemps a reflective contribution for the review of the theoretical tools from semiotics for the analysis and criticism of the theatre representation. Semiotics categories are connected with lines of thought from philosophy. It is an approach to the object of study a limited corpus of per...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2007
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/9456 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=9456_oai |
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| Sumario: | This work attemps a reflective contribution for the review of the theoretical tools from semiotics for the analysis and criticism of the theatre representation. Semiotics categories are connected with lines of thought from philosophy. It is an approach to the object of study a limited corpus of pertinent spectacular texts from the last decades- applying designed theoretical frames. We use concepts like "afection-image", "perception-image", "action-image" and image to broaden the sensitive and imaginative perception of the studied shows. |
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