El Che Guevara en el teatro latinoamericano: "Compañero" de Vicente Leñero

This article is based on the Leñero's play: Compañero (1970), which focuses the attention in the last days of Guevara's life in Bolivia. The mexican playwrit uses as documents, in this case, three main sources: the famous Diario del Che; the Régis Debray's book, ¿Revolución en la revo...

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Autor principal: Freire , Silka
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2007
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Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/9454
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=9454_oai
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Sumario:This article is based on the Leñero's play: Compañero (1970), which focuses the attention in the last days of Guevara's life in Bolivia. The mexican playwrit uses as documents, in this case, three main sources: the famous Diario del Che; the Régis Debray's book, ¿Revolución en la revolución?, and the detailed information from L. González and G. Sánchez in The Great Rebel. Che Guevara in Bolivia. In this play the referential function is seen through the individual point of view, and has its most important expression in the conflict between Guevara as man, and as a legend, using the double character: Comandante 1 and Comandate 2.