Iconografía del escenario mexicano (1909-1919) (Parte V)
The reconstruction of one Theater Artist Iconography, that covers almost one lustrum of theater activity, registry on diverse mexican theater files, sets out to add to the cold chronicle of spectacles, the aspect of the artistic life, that for the artist, foreigner or conational, it meant a positive...
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| Autor principal: | |
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2008
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/9436 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=9436_oai |
| Aporte de: |
| Sumario: | The reconstruction of one Theater Artist Iconography, that covers almost one lustrum of theater activity, registry on diverse mexican theater files, sets out to add to the cold chronicle of spectacles, the aspect of the artistic life, that for the artist, foreigner or conational, it meant a positive protocol of his presentation before the mexican society, mainly of aesthetic character, provided by the photographic study that it identifies to him, it hierarchizes to him and returns clear its visual memory for whatever admire to him in scene. |
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