Yasujiro Ozu: el cineasta de la teatralidad japonesa
Ozu has long been regarded by countrymen and foreigners alike to be the most japanese of japanese movie. Burch has seen that cinema as a direct continuation of a long lineage of Japanese theatrical traditions: cinematics equivalents for tradition such kabuki hanamichi, the haiku and the makurakotoba...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
| Publicado: |
Facultad de Filosofía y Letras, Universidad de Buenos Aires
2008
|
| Materias: | |
| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/9399 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=9399_oai |
| Aporte de: |
| Sumario: | Ozu has long been regarded by countrymen and foreigners alike to be the most japanese of japanese movie. Burch has seen that cinema as a direct continuation of a long lineage of Japanese theatrical traditions: cinematics equivalents for tradition such kabuki hanamichi, the haiku and the makurakotoba (“pillow word”). Also, the Zen and the Noh are components of his filmographie. In fact, we confirmed these previous ideas during the showing of “Unknown Ozu” (August 1-10th, 2008, BuenosAires) |
|---|