Ojos en movimiento
Since dance is always an exercise of observation, the author analyzes different choreografical works that mix dance and video-dance, which, incorporating the cinematographic sight, make the spectator aware of his condition of voyeur and force him to an intellectual/emotional action that goes beyond...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2009
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/9364 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=9364_oai |
| Aporte de: |
| Sumario: | Since dance is always an exercise of observation, the author analyzes different choreografical works that mix dance and video-dance, which, incorporating the cinematographic sight, make the spectator aware of his condition of voyeur and force him to an intellectual/emotional action that goes beyond observing. Thus, the watch becomes an element of the performance and not its aim. |
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