La subversión política. Ideario de lo político y niveles de participación en "Carne de Cañón" del "Colectivo de Arte La Vitrina"
This essay is based on the general assumption that the experience of Carne de Cañon from the Art Collective "La Vitrina" is an excellent model for understanding and analyzing the independent Chilean dance from the beginning of XXI century. Under this assumption that runs throughout the who...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2009
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/9321 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=9321_oai |
| Aporte de: |
| Sumario: | This essay is based on the general assumption that the experience of Carne de Cañon from the Art Collective "La Vitrina" is an excellent model for understanding and analyzing the independent Chilean dance from the beginning of XXI century. Under this assumption that runs throughout the whole study, the author proposes an analysis from the aspect of the perception that the scene establishes with the viewer as well as the participation levels to which this scenario invites us as viewers. |
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