Lectura semiótica de "Un Día Especial" y "La que Sigue" , en "Cuatro ejercicios para actrices" de Griselda Gambaro
Griselda Gambaro's Un Día Especial and La que Sigue are valuable exercises for actresses to rethink the characters sign possibilities. Being short plays they are loaded with a dramatic and creative density that portrays the actor in multiple faces, looks, gestures and stage r...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2009
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/9306 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=9306_oai |
| Aporte de: |
| Sumario: | Griselda Gambaro's Un Día Especial and La que Sigue are valuable exercises for actresses to rethink the characters sign possibilities. Being short plays they are loaded with a dramatic and creative density that portrays the actor in multiple faces, looks, gestures and stage roles. The framework analysis attempts to highlight the richness of Gambaro's play writing. The actresses projection onto an almost absent social fabric brings about a transparency read through indices that reflect symbol and images related to the critical spirit of the receptor-spectator. The text spaces are useful to show a description of the cultural concepts of the Argentine society. The sign systems are articulated in a setting suitable to a semiotic reading that does not end with the proposal but one that opens the hypotheses of the theatre map readings towards the future of the country's generations. |
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