Escenarios intermediales. De los happenings a la web 2.0
In a first approach to the relation between mass media and art, two topics appear frecuently: on the one hand, the use of new technologies of information and entertainment in multimedia work; on the other hand, considering the characteristics of these technologies, the relation art/spectator. In add...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2010
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/9281 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=9281_oai |
| Aporte de: |
| Sumario: | In a first approach to the relation between mass media and art, two topics appear frecuently: on the one hand, the use of new technologies of information and entertainment in multimedia work; on the other hand, considering the characteristics of these technologies, the relation art/spectator. In addition to those topics, scenic practices of difficult classification put actor´s body, scenic space, spectator and the notion of theatricality in the centre of theory and theater production of the last decades. |
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