El teatro de Alejandro Finzi. Entre el Apocalipsis y la utopía, más allá de la post-modernidad

This article explores the atypical theatre work of the Argentinian writer Alejandro Finzi. The author’s approach follows three heuristic categories: farmacon, nomadism and writing in order to show how Finzi’s plays -beyond the post-modernity- discuss present problematics concerning not only its own...

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Autor principal: de Toro, Fernando
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2010
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Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/9275
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=9275_oai
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Sumario:This article explores the atypical theatre work of the Argentinian writer Alejandro Finzi. The author’s approach follows three heuristic categories: farmacon, nomadism and writing in order to show how Finzi’s plays -beyond the post-modernity- discuss present problematics concerning not only its own local space, but also the whole humanity