"UORC" de La Organización Negra: la enunciación de la experiencia según tres autores
In this paper we aim to analyze the reception of a theatrical performance carried out between 1986 and 1987 by La Organización Negra. We will focus on three articles published at that time and we will approach the relation established between “seeing” and “saying”, as well as the aesthetic...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2011
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/9041 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=9041_oai |
| Aporte de: |
| Sumario: | In this paper we aim to analyze the reception of a theatrical performance carried out between 1986 and 1987 by La Organización Negra. We will focus on three articles published at that time and we will approach the relation established between “seeing” and “saying”, as well as the aesthetic innovation that the performance represented in terms of the theatrical paradigms of the moment. First we will look into each article and then we will study how each author deals with the enunciation of their own experience. |
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