Daniel Veronese: Una escritura escénica en constante transformación
The prolific production of Daniel Veronese does not fit into a single writing style because, as an actor, a playwright and a director, his poetics is characterized by a diversity of aesthetic lines that overlap, diverge or multiply. This diversity is further accentuated by alternating between variou...
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| Autores principales: | , |
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2012
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/9013 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=9013_oai |
| Aporte de: |
| Sumario: | The prolific production of Daniel Veronese does not fit into a single writing style because, as an actor, a playwright and a director, his poetics is characterized by a diversity of aesthetic lines that overlap, diverge or multiply. This diversity is further accentuated by alternating between various theatre circuits -commercial, independent, official, mixed and alternative or self-managed- that obviously condition and determine the forms of creation and production. |
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