Poéticas del relato y la conciencia en "Manos traslúcidas en fiebre de olvido" y "Lote 77"
This article shows how the dramatic texts Lote 77, by Marcelo Mininno, and Manos traslúcidas en fiebre de olvido, by Gabriel Fernandez Chapo share some writing techniques with the literary narration. To do so, the author focuses on the genesis of these plays, on their dramaturgical...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2012
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/9009 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=9009_oai |
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| Sumario: | This article shows how the dramatic texts Lote 77, by Marcelo Mininno, and Manos traslúcidas en fiebre de olvido, by Gabriel Fernandez Chapo share some writing techniques with the literary narration. To do so, the author focuses on the genesis of these plays, on their dramaturgical typologies, their structures and their plots, describing their analogies and differences. The purpose is to reveal the affirmation of historicity, presence and identity achieved through predominance of the poetics of narrative and conscience. |
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