La obra teatral de Samuel Beckett: las ceremonias del caos

This article focuses on Samuel Beckett's theatre, which slips progressively towards darkness and silence; that is why its scenic image seems to turn against itself. Drama does not exist any more; only the wait in a disintegrated world. The energy of the characters weakens extr...

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Autores principales: Gavard-Perret, Jean-Paul, Meazzi, Barbara
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2012
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Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/9007
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=9007_oai
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Sumario:This article focuses on Samuel Beckett's theatre, which slips progressively towards darkness and silence; that is why its scenic image seems to turn against itself. Drama does not exist any more; only the wait in a disintegrated world. The energy of the characters weakens extremely. Their existence can only be considered as aparadoxical static wander in the expulsion of the vital dimension of life.