El Descueve: el cuerpo sin límites como clave para la interpretación teatral.
This article analyses two works by the group El Descueve focusing on the relations between the body of the performer and its multiple expressive posibilities, in the crossing of theater, dance and music. These interactions propose on stage a body which is taken to the limit, which makes all senses e...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2012
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/9003 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=9003_oai |
| Aporte de: |
| Sumario: | This article analyses two works by the group El Descueve focusing on the relations between the body of the performer and its multiple expressive posibilities, in the crossing of theater, dance and music. These interactions propose on stage a body which is taken to the limit, which makes all senses explode, and which appeals directly to the spectator. |
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