Las artes escénicas y las políticas culturales del primer peronismo (1946-1955): el caso de la danza

Academic dance, as a performing art, shares spaces, institutions and cultural policies with the field of theatre. Therefore, in this introductory approach to the study of dance under the first peronism (1946-1955) we decided to start from the situation of the performing arts in general to then focus...

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Autor principal: Cadús, María Eugenia
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2012
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Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/9002
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=9002_oai
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Sumario:Academic dance, as a performing art, shares spaces, institutions and cultural policies with the field of theatre. Therefore, in this introductory approach to the study of dance under the first peronism (1946-1955) we decided to start from the situation of the performing arts in general to then focus on dance and its peculiarities within that scenario.