Blues, Jazz, Rock and Theodor Adorno
The article discusses Adorno’s treatment of jazz and popular music, based on the distinction between “serious music” from “light music” (or consumable music), with repercussions on the very structure of works and songs. This study also implies a critical appreciation of what the German philosopher a...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2021
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/8363 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=8363_oai |
| Aporte de: |
| Sumario: | The article discusses Adorno’s treatment of jazz and popular music, based on the distinction between “serious music” from “light music” (or consumable music), with repercussions on the very structure of works and songs. This study also implies a critical appreciation of what the German philosopher and sociologist called “regression of hearing” in popular music. It extends the discussion of such attribution to blues, jazz and rock in an approach that values musical genres as relevant and significant in the contemporary artistic experience. |
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