A Dialogue between Music and Exact Sciences from a Metaphorical-Analogical Correspondence with the Concept of “Dissipative Structures” of Ilya Prigogine (Phowa for solo bass flute, a case study)
The work intends to delve into the relationship between music and exact sciences form Ilya Prigogine´s point of view. So, first there is a brief historical tour that shows how the bonding of these two fields occurred; second, we try to understand which the limits of this bonding are; then, it is obs...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2020
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/8015 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=8015_oai |
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| Sumario: | The work intends to delve into the relationship between music and exact sciences form Ilya Prigogine´s point of view. So, first there is a brief historical tour that shows how the bonding of these two fields occurred; second, we try to understand which the limits of this bonding are; then, it is observed that one of the feasible ways for this dialogue to take place is through metaphor and analogy: both function as concrete tools when establishing the link between music and exact sciences; that is why understanding and developing the concepts of metaphor and analogy is crucial. Finally, the metaphorization-analogization approach itself is explained, namely, the piece for solo bass flute called Phowa (2018) is taken as an example, and it is shown that it has a structural similarity with the notion of “dissipative structures” developed by Prigogine. Nevertheless, the crossing domain (metaphor/analogy) means that, at present, “new” cognitive-creative mechanisms have been developed by the composers at the moment of imagining and thinking their music (in particular, those musics that use very complex sonorities). |
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