Sound Mimesis and Aesthetic Metamorphosis: The 19th Century as a Critical Stage in the History of Musical Thought

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The theory of sonic affinity (Campos, 2016) considers that the human musical brain is modeled by the action of sounds received since ear formation, generating sound and aesthetic profiles in mimetic processes integrated in the evolutionary logic. Applied to the field of historical musicology, it all...

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Autor principal: Campos Calvo-Sotelo, Javier
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2020
Materias:
afinidad sónica
siglo XIX
revolución industrial
paisajes sonoros
romanticismo
afinidade sônica
século 19
revolução industrial
paisagens sonoras
Sonic affinity
19th century
industrial revolution
soundscapes
romanticism
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7596
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=7596_oai
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Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires

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