“Só ponho bebop no meu samba...”: Cultural Exchanges and Background of the Composers in the Formulation of MPB During the Decades of 1960 and 1970

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My objective is to discuss cultural exchange seeking to find, on the one hand, the general lines associated to the subject of national identity in the production of Brazilian popular music (MPB) and, on the other, the particular features of the choices made by some of the creators of such music. The...

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Autor principal: Assis Garcia, Luiz Henrique
Formato: Artículo publishedVersion
Lenguaje:Portugués
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2017
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7500
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=7500_oai
Aporte de:
Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires

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