Metaphors, Resistances and Transmissions: An analysis of Stage Objects in Paco Gimenez’s "Peligran los vasos"

This essay proposes a reflection on the poetic capacity of the object in stagings that do not belong to the so-called Theatre of Objects, as it happens with Paco Giménez theatre, whose dramaturgy is based fundamentally on the work of actors. Our analysis seeks to describe the configuration of metaph...

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Autor principal: Cubeiro Rodríguez, Ana María
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2019
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Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/7243
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=7243_oai
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Sumario:This essay proposes a reflection on the poetic capacity of the object in stagings that do not belong to the so-called Theatre of Objects, as it happens with Paco Giménez theatre, whose dramaturgy is based fundamentally on the work of actors. Our analysis seeks to describe the configuration of metaphors and the emergence of new meanings acquired by everyday objects throughout the creative process. The sensitive qualities that objects deploy on stage are also observed, considering the influence they exert on the bodywork of the actors and the type of relationships established between them.