Amongst Walls, Fences and Armored Cars; Acoustic Labor and Sound Praxis in Post-industrial Society

Two concepts of Marxian inspiration, derived from the author’s research on different music domains in Brazil and their relationships with notions of time, labor and politics, deploy a reflexive thinking over the articulation between macro and micropolitical levels in his nearly ten-year experience i...

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Autor principal: Araújo, Samuel
Formato: Artículo publishedVersion
Lenguaje:Portugués
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2013
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Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7064
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=7064_oai
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Sumario:Two concepts of Marxian inspiration, derived from the author’s research on different music domains in Brazil and their relationships with notions of time, labor and politics, deploy a reflexive thinking over the articulation between macro and micropolitical levels in his nearly ten-year experience in the field of participatory action-research on sonic-musical praxis.