Paratexto y actividad espectatorial en Low Pieces de Xavier Le Roy
This work is based on the notion of paratext proposed by Gérard Genette for literary works and explores its feasibility in relation to another artistic language; in this case, dance. We will focus on the analysis of the ways in which the paratext proposes a particular spectatorial activity for a pie...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2019
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/6607 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=6607_oai |
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| Sumario: | This work is based on the notion of paratext proposed by Gérard Genette for literary works and explores its feasibility in relation to another artistic language; in this case, dance. We will focus on the analysis of the ways in which the paratext proposes a particular spectatorial activity for a piece of contemporary dance. From this perspective, it is necessary to take into account the ways in which the reception of a choreography may be influenced by the paratextual system, considered as one of the aspects that regulate the circulation of artworks. |
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