The Interrelation of the Arts in the Construction of Autofictional Discourse
The production of the multiplatform artist Benito Laren is characterized by the interrelation of his visual and performative works with a complex textual and paratextual framework. Acting, in some way, as reciprocal stage directions, the different disciplines, aesthetics and languages thus operate i...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
| Publicado: |
Facultad de Filosofía y Letras, Universidad de Buenos Aires
2019
|
| Materias: | |
| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/6518 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=6518_oai |
| Aporte de: |
| Sumario: | The production of the multiplatform artist Benito Laren is characterized by the interrelation of his visual and performative works with a complex textual and paratextual framework. Acting, in some way, as reciprocal stage directions, the different disciplines, aesthetics and languages thus operate in parity of conditions in the production of meaning, not only concerning each individual work and the internal logic that connects them, but also -and fundamentally- concerning the particular fictional self-invention of the creator himself. |
|---|