Participar en tiempo discontinuo
The text examines the concept of participation in performative artistic practices which have taken place through the Internet. Analyzing three pieces, this study addresses the idea of participation focusing on conversation as a device and on the forms of discourse developed since the beginning of ne...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2017
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/3698 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=3698_oai |
| Aporte de: |
| Sumario: | The text examines the concept of participation in performative artistic practices which have taken place through the Internet. Analyzing three pieces, this study addresses the idea of participation focusing on conversation as a device and on the forms of discourse developed since the beginning of networked interaction. The article also explores the temporal fragmentation of conversation imposed by the characteristics of virtual interaction and its implications for the creation of discourse in a shared space. |
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