I. Teatro y artes escénicas La participación, el mito del nuevo espectáculo
The article presents a retrospective look at the concept of participation from the shows seen since the eighties in the Barcelona’s theater, a time when the author started going to the performances. From this concept, the interpretation of what you can bring the theater and theatricality to the poli...
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| Autor principal: | |
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2016
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/3152 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=3152_oai |
| Aporte de: |
| Sumario: | The article presents a retrospective look at the concept of participation from the shows seen since the eighties in the Barcelona’s theater, a time when the author started going to the performances. From this concept, the interpretation of what you can bring the theater and theatricality to the political and social movements that articulate from the concept of participation. |
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