Foucault; Lacan; El barro se subleva; Briski; Othelo; Chame Buendía; Dínamo; Hermida; Perotti; Tolcachir; Ilusión; Ontivero; El combate de los pozos; Garrote
This essay will focus on 15 plays produced in Buenos Aires during June and July 2015. The proposal is to start from the Lacanian concept of “fundamental phantasm” or of “enunciation” in Foucault to approach these plays in order to detect how, beyond their plots and themes (many of them with a clear...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2016
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/3141 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=3141_oai |
| Aporte de: |
| Sumario: | This essay will focus on 15 plays produced in Buenos Aires during June and July 2015. The proposal is to start from the Lacanian concept of “fundamental phantasm” or of “enunciation” in Foucault to approach these plays in order to detect how, beyond their plots and themes (many of them with a clear reference to the political context), the political get installed through the scenographic procedures and props which are related to the type of acting and to the aesthetical affiliation assumed by each particular staging project. |
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