Comunidad: Teatro Laboratorio, Opole 1959-1964
The great impact that the model of Jerzy Grotowski’s Laboratory Theatre has had and still has among theater groups, inspired by the texts collected in Towards a Poor Theatre, raises the question about the phenomenon in which the adjacent team’s subjectivity/ies are involved. I center my focus on the...
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| Formato: | Artículo publishedVersion Artículo revisado por pares |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2016
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/2488 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=2488_oai |
| Aporte de: |
| Sumario: | The great impact that the model of Jerzy Grotowski’s Laboratory Theatre has had and still has among theater groups, inspired by the texts collected in Towards a Poor Theatre, raises the question about the phenomenon in which the adjacent team’s subjectivity/ies are involved. I center my focus on the first phase, which is crucial in the shaping of the Poor Theatre’s poetic. The object of study focuses on the processes of integration of the actors’ team, their inter-relationships, working conditions, and the production and impact of the internal rules that build this community. |
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