El tango, entre Florida y Boedo

Mostrar todas las versiones(2)

Even if some of the martinfierristas, the group of Argentinian writers in 1920s who identified themselves with the artistic avant-garde, preferred earlier versions of tango and rejected Gardelian style of interpretation, the popular music genre –in those days a growing massive cultural phenomenon– w...

Descripción completa

Guardado en:

Detalles Bibliográficos
Autor principal:	Stratta, Isabel
Formato:	Artículo publishedVersion
Lenguaje:	Español
Publicado:	Instituto de Literatura Hispanoamericana (Facultad de Filosofía y Letras, Universidad de Buenos Aires) 2016
Materias:	tango Florida Boedo
Acceso en línea:	https://revistascientificas.filo.uba.ar/index.php/zama/article/view/2194 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=zama&d=2194_oai
Aporte de:	Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires

id	I28-R145-2194_oai
record_format	dspace
spelling	I28-R145-2194_oai2025-11-17 Stratta, Isabel 2016-03-10 Even if some of the martinfierristas, the group of Argentinian writers in 1920s who identified themselves with the artistic avant-garde, preferred earlier versions of tango and rejected Gardelian style of interpretation, the popular music genre –in those days a growing massive cultural phenomenon– was celebrated in their poems and essays. That position is in marked contrast with the rejection of tango by the Boedo group, whose writers and magazines Los Pensadores and Claridad viewed the tango as culturally abject and politically dangerous (as it could steer workers away from their fights and the construction of class consciousness). Those contrasting standings on a popular music species emphasize diverging approaches by both groups on the issues of national identity and its relevance for art and culture. Aun cuando algunos escritores de la vanguardia argentina de los años 20 nucleados en torno a las revistas Martín Fierro y Proa prefirieron las formas más tempranas del género y rechazaron el estilo interpretativo gardeliano, sus poemas y ensayos celebraron el tango, por entonces un ascendente fenómeno masivo. Esa adopción contrasta con el repudio por parte de las revistas del grupo Boedo, Los Pensadores y Claridad, que veían al tango como un fenómeno pernicioso para la cultura y un distractivo de la lucha de clases. El contraste entre las dos posiciones pone de relieve diferencias en cuanto a cómo se planteaba –o no se planteaba– cada grupo las cuestiones de la nacionalidad y la identidad cultural. Embora alguns escritores da vanguarda argentina dos anos 20 nucleados ao redor das revistas Martín Fierro e Proa preferiram as formas mais jovens do gênero e rejeitaram o estilo interpretativo gardeliano, seus poemas e ensaios celebraram o tango, até então um fenómeno massivo em ascensão. Essa escolhida contrasta com o repudio por parte das revistas do grupo Boedo, Los Pensadores e Claridad, que achavam ao tango um fenómeno pernicioso para a cultura e uma distração da luta de classes. O contraste entre as duas posições ressalta as diferenças sobre como considerava –ou não considerava– cada grupo as questões da nacionalidade e a identidade cultural. application/pdf https://revistascientificas.filo.uba.ar/index.php/zama/article/view/2194 10.34096/zama.a7.n7.2194 spa Instituto de Literatura Hispanoamericana (Facultad de Filosofía y Letras, Universidad de Buenos Aires) https://revistascientificas.filo.uba.ar/index.php/zama/article/view/2194/1925 Zama; Vol. 7 No. 7 (2015); 149-159 Zama; Vol. 7 Núm. 7 (2015); 149-159 Zama; v. 7 n. 7 (2015); 149-159 2422-6017 1851-6866 tango Florida Boedo tango Florida Boedo tango Florida Boedo El tango, entre Florida y Boedo info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=zama&d=2194_oai
institution	Universidad de Buenos Aires
institution_str	I-28
repository_str	R-145
collection	Repositorio Digital de la Universidad de Buenos Aires (UBA)
language	Español
orig_language_str_mv	spa
topic	tango Florida Boedo tango Florida Boedo tango Florida Boedo
spellingShingle	tango Florida Boedo tango Florida Boedo tango Florida Boedo Stratta, Isabel El tango, entre Florida y Boedo
topic_facet	tango Florida Boedo tango Florida Boedo tango Florida Boedo
description	Even if some of the martinfierristas, the group of Argentinian writers in 1920s who identified themselves with the artistic avant-garde, preferred earlier versions of tango and rejected Gardelian style of interpretation, the popular music genre –in those days a growing massive cultural phenomenon– was celebrated in their poems and essays. That position is in marked contrast with the rejection of tango by the Boedo group, whose writers and magazines Los Pensadores and Claridad viewed the tango as culturally abject and politically dangerous (as it could steer workers away from their fights and the construction of class consciousness). Those contrasting standings on a popular music species emphasize diverging approaches by both groups on the issues of national identity and its relevance for art and culture.
format	Artículo publishedVersion
author	Stratta, Isabel
author_facet	Stratta, Isabel
author_sort	Stratta, Isabel
title	El tango, entre Florida y Boedo
title_short	El tango, entre Florida y Boedo
title_full	El tango, entre Florida y Boedo
title_fullStr	El tango, entre Florida y Boedo
title_full_unstemmed	El tango, entre Florida y Boedo
title_sort	el tango, entre florida y boedo
publisher	Instituto de Literatura Hispanoamericana (Facultad de Filosofía y Letras, Universidad de Buenos Aires)
publishDate	2016
url	https://revistascientificas.filo.uba.ar/index.php/zama/article/view/2194 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=zama&d=2194_oai
work_keys_str_mv	AT strattaisabel eltangoentrefloridayboedo
_version_	1857044122219577344

El tango, entre Florida y Boedo

Ejemplares similares