Terrenal de Mauricio Kartún: una reescritura política, circense y metateatral del mito de Caín y Abel
The purpose of the present paper is to analyze Terrenal, the last theatre play directed by dramaturge Mauricio Kartun, focusing on the study of the reworking of the biblical myth of Cain and Abel from a political perspective criticizing capitalism. Furthermore, the construction of the characters mak...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
| Publicado: |
Facultad de Filosofía y Letras, Universidad de Buenos Aires
2015
|
| Materias: | |
| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/2162 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=2162_oai |
| Aporte de: |
| Sumario: | The purpose of the present paper is to analyze Terrenal, the last theatre play directed by dramaturge Mauricio Kartun, focusing on the study of the reworking of the biblical myth of Cain and Abel from a political perspective criticizing capitalism. Furthermore, the construction of the characters makes some analogies with different prototypes of clowns analyzed. Finally, the theoretical notion Theatrum mundi is used to think on the theatre. |
|---|