Reciclaje: materializaciones de militancia en la ExESMA
This article proposes a visit of the artistic interventions held at the current Espacio Memoria y Derechos Humanos (exESMA) in Buenos Aires, Argentina, considering the central role that militancy has gained recently in human rights discourses. This way, the article will seek to move away from readin...
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I28-R145-2020_36-36_8_htm2021-08-17 2683-8451 Erika Teichert This article proposes a visit of the artistic interventions held at the current Espacio Memoria y Derechos Humanos (exESMA) in Buenos Aires, Argentina, considering the central role that militancy has gained recently in human rights discourses. This way, the article will seek to move away from readings of the exESMA as a space of violence, horror, or even memory, in order to understand it as a space of embodied experiences of militancy that find continuities with the recent past. Thus, the article reads the ex-ESMA as an agent and participant of the exercise of militancy, especially through the materiality and inter-materiality of the space itself as well as the artistic interventions carried out there. Specifically, the article considers an aesthetic of recycling so as to analyse the ways in which these interventions materialise the junction between art, militancy and human rights. Using an interdisciplinary theoretical framework that reflects our object of study, the article will focus on the material and aesthetic intersections in works by Grupo de Arte Callejero (GAC) and other aspects of the site that represent and enact such experiences of militancy and their continuities with the past. El presente artículo propone un recorrido de las intervenciones artísticas en el actual Espacio Memoria y Derechos Humanos (exESMA) en Buenos Aires, Argentina, considerando el rol central que la militancia ha tomado recientemente en discursos de derechos humanos. Así, buscamos apartarnos de lecturas de la exESMA como un espacio de violencia, horror, o incluso memoria, para entenderlo como un espacio de experiencias corpóreas de militancia que encuentran continuidades con el pasado reciente. De esta manera, leemos la exESMA como agente y partícipe en el ejercicio de militancia, especialmente a través de la materialidad e inter-materialidad del espacio mismo y las intervenciones artísticas allí realizadas. Específicamente, consideramos una estética de reciclaje para analizar las formas en que dichas intervenciones en el espacio materializan el cruce entre arte, militancia y derechos humanos. Partiendo desde un marco teórico interdisciplinario que refleja nuestro objeto de estudio, estudiaremos las intersecciones materiales y estéticas en trabajos realizados por Grupo de Arte Callejero (GAC) y otros aspectos del espacio que representan y provocan dichas experiencias de militancia y sus continuidades con el pasado. application/pdf es Teatro XXI, no. 36 http://revistascientificas.filo.uba.ar/index.php/teatroxxi Argentina ESMA militancia derechos humanos GAC Reciclaje: materializaciones de militancia en la ExESMA http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=teatroxxi&d=2020_36-36_8_htm |
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Universidad de Buenos Aires |
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I-28 |
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R-145 |
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Repositorio Digital de la Universidad de Buenos Aires (UBA) |
language |
Español |
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es |
topic |
Argentina ESMA militancia derechos humanos GAC |
spellingShingle |
Argentina ESMA militancia derechos humanos GAC Erika Teichert Reciclaje: materializaciones de militancia en la ExESMA |
topic_facet |
Argentina ESMA militancia derechos humanos GAC |
description |
This article proposes a visit of the artistic interventions held at the current Espacio Memoria y Derechos Humanos (exESMA) in Buenos Aires, Argentina, considering the central role that militancy has gained recently in human rights discourses. This way, the article will seek to move away from readings of the exESMA as a space of violence, horror, or even memory, in order to understand it as a space of embodied experiences of militancy that find continuities with the recent past. Thus, the article reads the ex-ESMA as an agent and participant of the exercise of militancy, especially through the materiality and inter-materiality of the space itself as well as the artistic interventions carried out there. Specifically, the article considers an aesthetic of recycling so as to analyse the ways in which these interventions materialise the junction between art, militancy and human rights. Using an interdisciplinary theoretical framework that reflects our object of study, the article will focus on the material and aesthetic intersections in works by Grupo de Arte Callejero (GAC) and other aspects of the site that represent and enact such experiences of militancy and their continuities with the past. |
author |
Erika Teichert |
author_facet |
Erika Teichert |
author_sort |
Erika Teichert |
title |
Reciclaje: materializaciones de militancia en la ExESMA |
title_short |
Reciclaje: materializaciones de militancia en la ExESMA |
title_full |
Reciclaje: materializaciones de militancia en la ExESMA |
title_fullStr |
Reciclaje: materializaciones de militancia en la ExESMA |
title_full_unstemmed |
Reciclaje: materializaciones de militancia en la ExESMA |
title_sort |
reciclaje: materializaciones de militancia en la exesma |
url |
http://revistascientificas.filo.uba.ar/index.php/teatroxxi http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=teatroxxi&d=2020_36-36_8_htm |
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AT erikateichert reciclajematerializacionesdemilitanciaenlaexesma |
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1766023457510785024 |