Remontaje y producción de sentido histórico en las instalaciones audiovisuales y los films recientes de Albertina Carri
The purpose of this paper is to investigate the recent production of Albertina Carri, in which new orientations are observed in regard to the operations of reassembly, re-creation and interpretation of the own and other people´s images. Together with his role as an “archival artist”, we consider in...
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| Lenguaje: | Español |
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| Acceso en línea: | http://revistascientificas.filo.uba.ar/index.php/teatroxxi http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=teatroxxi&d=2020_36-36_5_htm |
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| Sumario: | The purpose of this paper is to investigate the recent production of Albertina Carri, in which new orientations are observed in regard to the operations of reassembly, re-creation and interpretation of the own and other people´s images. Together with his role as an “archival artist”, we consider in this last era the exacerbation of other personal brands and work proposals linked to transdisciplinarity, reflexivity and subjetivity. |
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