Plasticidad y metáfora en el enfoque de la textura de Thomas Clifton

The concept of musical texture showed, in its relatively short history within music theory, a kind of resistance with regard to the possibility of an abstract and formalized representation. Thomas Clifton’s approach, such as it is formulated in his posthumous book Music as Heard. A Study of Applied...

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Detalles Bibliográficos
Autor principal: Pablo Fessel
Materias:
Thomas Clifton; textura musical; representación metafórica
Thomas Clifton
musical texture
metaphorical thinking
textura musical
representación metafórica
Acceso en línea:http://revistascientificas.filo.uba.ar/index.php/payro/article/view/4687
http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=estuinv&d=2017_12-2017_12_1_htm
Aporte de:
Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires

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