Marosa di Giorgio ante lo sublime y lo siniestro
For half a century, Marosa di Giorgio led to an irreducible conception of spiritual genesis of his poetry, in line with a key area of the romantic ideologies. Her identification with the Sublime experience –a faculty of the spirit that Kant far beyond the senses– imposes the threat of all symbolizat...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Instituto de Literatura Hispanoamericana (Facultad de Filosofía y Letras, Universidad de Buenos Aires)
2015
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/zama/article/view/1526 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=zama&d=1526_oai |
| Aporte de: |
| Sumario: | For half a century, Marosa di Giorgio led to an irreducible conception of spiritual genesis of his poetry, in line with a key area of the romantic ideologies. Her identification with the Sublime experience –a faculty of the spirit that Kant far beyond the senses– imposes the threat of all symbolization, which explains the “unutterable” character roles proposed by Los papeles salvajes. But if the high density is given by an abysmal and ominous background, the category of the Sublime is overwhelmed by the Uncanny. |
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