Acceso: A Body Filled with History and Culture
This paper analyzes the work Access, with dramaturgy of Roberto Farías and Pablo Larraín, and directed by the Larraín. This work premiered at the Teatro La Memoria in 2014 and repeated performances in various opportunities, including the Santiago a Mil Festival.The present paper reviews its staging...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2017
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/1481 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=1481_oai |
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| Sumario: | This paper analyzes the work Access, with dramaturgy of Roberto Farías and Pablo Larraín, and directed by the Larraín. This work premiered at the Teatro La Memoria in 2014 and repeated performances in various opportunities, including the Santiago a Mil Festival.The present paper reviews its staging and dramaturgy, focusing mainly on the acting dimension and considering them from the perspective of physicality and emotion. We aim to acnowledge the importance and commitment the actor Roberto Farías in a moving and powerful performance. We will see how, in his performance, his body appears as possesor of culture and identity, reaching and transforming the spectator through emotion. |
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