Puppets and Independent Theatre: the Case of Leónidas Barletta and Los títeres de Rosita
Since the late 1930s, puppet theatre in Buenos Aires, began to expand itself discovering new development fields. Lots of independent theatre groups open their doors, the Teatro del Pueblo among them. This time, we analyse the existence of a puppet group in this institution, called Los Títeres de Ros...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2017
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/1477 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=1477_oai |
| Aporte de: |
| Sumario: | Since the late 1930s, puppet theatre in Buenos Aires, began to expand itself discovering new development fields. Lots of independent theatre groups open their doors, the Teatro del Pueblo among them. This time, we analyse the existence of a puppet group in this institution, called Los Títeres de Rosita, and the works for puppet theatre written by the Teatro del Pueblo’s director, Leonidas Barletta. |
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