The logic of vertigo. About the philosophical readings of Alfred Hitchcock's film Vertigo: Acerca de las lecturas filosóficas del filme Vertigo de Alfred Hitchcock
The present work is a philosophical inquiry in which we will carry out two operations that intersect each other. The first is a study on the way in which the work of the filmmaker Alfred Hitchcock has been interpreted by four philosophers (Deleuze, Žižek, Rancière and Pippin), with special emphasis...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2024
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/CdF/article/view/12853 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=cufilo&d=12853_oai |
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I28-R145-12853_oai2025-11-17 Dardón, Juan M. 2024-12-19 The present work is a philosophical inquiry in which we will carry out two operations that intersect each other. The first is a study on the way in which the work of the filmmaker Alfred Hitchcock has been interpreted by four philosophers (Deleuze, Žižek, Rancière and Pippin), with special emphasis on his film Vertigo (1958). The second operation is a comprehensive attempt at the mutation that the detective genre underwent (as a literary and intellectual film genre) in the work of this filmmaker, for which we will present our own reading (although Deleuzian) on the indicated film and on other pieces. from this author. We will begin by reconstructing the Deleuzian reading of the work of the master of suspense, highlighting the mutations that police narrative undergoes from classic cinema. In a second moment we will go on to an analysis of the main philosophical readings on the film Vertigo, recomposing the logic that was put into play in their interpretations, and finally trying to explain why this film is considered a neuralgic work of the seventh art. El presente trabajo es una indagación filosófica en la que realizaremos dos operaciones que se intersectan mutuamente. La primera es un estudio acerca del modo en que la obra del cineasta Alfred Hitchcock ha sido interpretada por estos cuatro filósofos (Deleuze, Žižek, Rancière y Pippin), haciendo hincapié especialmente en su película Vértigo (1958). La segunda operación es un intento comprensivo sobre la mutación que sufrió el género policial (en tanto género literario y cinematográfico intelectual) en la obra de este cineasta, para lo cual presentaremos una lectura propia (aunque deleuziana) sobre el filme señalado y sobre otras piezas de este autor. Comenzaremos reconstruyendo la lectura deleuziana sobre la obra del maestro del suspense, haciendo énfasis en las mutaciones que sufre la narrativa policial desde el cine clásico. En un segundo momento pasaremos a un análisis de las principales lecturas filosóficas sobre el filme Vértigo, recomponiendo las lógicas que se pusieron en juego en sus interpretaciones, e intentando explicar finalmente el motivo por el cual este filme es considerado una obra neurálgica del séptimo arte. application/pdf https://revistascientificas.filo.uba.ar/index.php/CdF/article/view/12853 10.34096/cf.n82.12853 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/CdF/article/view/12853/14305 Derechos de autor 2024 Cuadernos de filosofía Cuadernos de filosofía; Núm. 82 (2024) 2362-485X 0590-1901 Philosophy of film, police genre, desire, knowledge, suspense. Filosofía del cine, género policial, deseo, conocimiento, suspenso. The logic of vertigo. About the philosophical readings of Alfred Hitchcock's film Vertigo: Acerca de las lecturas filosóficas del filme Vertigo de Alfred Hitchcock La lógica del vértigo. : Acerca de las lecturas filosóficas del filme Vertigo de Alfred Hitchcock info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=cufilo&d=12853_oai |
| institution |
Universidad de Buenos Aires |
| institution_str |
I-28 |
| repository_str |
R-145 |
| collection |
Repositorio Digital de la Universidad de Buenos Aires (UBA) |
| language |
Español |
| orig_language_str_mv |
spa |
| topic |
Philosophy of film, police genre, desire, knowledge, suspense. Filosofía del cine, género policial, deseo, conocimiento, suspenso. |
| spellingShingle |
Philosophy of film, police genre, desire, knowledge, suspense. Filosofía del cine, género policial, deseo, conocimiento, suspenso. Dardón, Juan M. The logic of vertigo. About the philosophical readings of Alfred Hitchcock's film Vertigo: Acerca de las lecturas filosóficas del filme Vertigo de Alfred Hitchcock |
| topic_facet |
Philosophy of film, police genre, desire, knowledge, suspense. Filosofía del cine, género policial, deseo, conocimiento, suspenso. |
| description |
The present work is a philosophical inquiry in which we will carry out two operations that intersect each other. The first is a study on the way in which the work of the filmmaker Alfred Hitchcock has been interpreted by four philosophers (Deleuze, Žižek, Rancière and Pippin), with special emphasis on his film Vertigo (1958). The second operation is a comprehensive attempt at the mutation that the detective genre underwent (as a literary and intellectual film genre) in the work of this filmmaker, for which we will present our own reading (although Deleuzian) on the indicated film and on other pieces. from this author.
We will begin by reconstructing the Deleuzian reading of the work of the master of suspense, highlighting the mutations that police narrative undergoes from classic cinema. In a second moment we will go on to an analysis of the main philosophical readings on the film Vertigo, recomposing the logic that was put into play in their interpretations, and finally trying to explain why this film is considered a neuralgic work of the seventh art. |
| format |
Artículo publishedVersion |
| author |
Dardón, Juan M. |
| author_facet |
Dardón, Juan M. |
| author_sort |
Dardón, Juan M. |
| title |
The logic of vertigo. About the philosophical readings of Alfred Hitchcock's film Vertigo: Acerca de las lecturas filosóficas del filme Vertigo de Alfred Hitchcock |
| title_short |
The logic of vertigo. About the philosophical readings of Alfred Hitchcock's film Vertigo: Acerca de las lecturas filosóficas del filme Vertigo de Alfred Hitchcock |
| title_full |
The logic of vertigo. About the philosophical readings of Alfred Hitchcock's film Vertigo: Acerca de las lecturas filosóficas del filme Vertigo de Alfred Hitchcock |
| title_fullStr |
The logic of vertigo. About the philosophical readings of Alfred Hitchcock's film Vertigo: Acerca de las lecturas filosóficas del filme Vertigo de Alfred Hitchcock |
| title_full_unstemmed |
The logic of vertigo. About the philosophical readings of Alfred Hitchcock's film Vertigo: Acerca de las lecturas filosóficas del filme Vertigo de Alfred Hitchcock |
| title_sort |
logic of vertigo. about the philosophical readings of alfred hitchcock's film vertigo: acerca de las lecturas filosóficas del filme vertigo de alfred hitchcock |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2024 |
| url |
https://revistascientificas.filo.uba.ar/index.php/CdF/article/view/12853 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=cufilo&d=12853_oai |
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