Facing mirrors. The theatrical Spectator as a Double in the Film Trilogy by Mariano Pensotti
The multiple intertwining of duplicities characterizes the creative project of Mariano Pensotti, attributable perhaps to his double artistic training as a theatrist and filmmaker, which constitutes a kind of constructive principle involving not only almost all of his plays, but also the film trilogy...
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2022
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Acceso en línea: | http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11991 http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=11991_oai |
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I28-R145-11991_oai2023-08-08 Trastoy, Beatriz 2022-10-13 The multiple intertwining of duplicities characterizes the creative project of Mariano Pensotti, attributable perhaps to his double artistic training as a theatrist and filmmaker, which constitutes a kind of constructive principle involving not only almost all of his plays, but also the film trilogy: El público, The Audience and Le public/Het Publiek, filmed in Buenos Aires, Athens and Brussels, respectively, between 2019 and 2022. The article analyzes how the recurrence of the theme of the double in its multiple works gives new senses to the confluence of languages in the crossing of artistic disciplines and, at the same time, explores the possibility of discussing the always attributed ephemeral character of the scenic, as the theatre, by remaining in the consciousness of the viewer, becomes as durable as other works of art. El múltiple entrecruzamiento de duplicidades caracteriza el proyecto creativo de Mariano Pensotti, atribuible quizás a su doble formación artística como teatrista y cineasta, el cual constituye una suerte de principio constructivo que involucra no solo la casi la totalidad de sus obras teatrales, sino también la trilogía cinematográfica: El público, The Audience y Le public/Het Publiek, filmadas en Buenos Aires, Atenas y Bruselas, respectivamente, entre 2019 y 2022. El artículo analiza cómo la recurrencia al tema del doble en sus múltiples trabajos otorga nuevos sentidos a la confluencia de lenguajes en el cruce de disciplinas artísticas y, al mismo tiempo, explora la posibilidad de discutir el siempre atribuido carácter efímero de lo escénico, ya que el teatro, al permanecer en la conciencia del espectador, deviene tan duradero como otras obras de arte. application/pdf http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11991 10.34096/tdf.n36.11991 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11991/11064 Derechos de autor 2022 telondefondo. Revista de Teoría y Crítica Teatral https://creativecommons.org/licenses/by-sa/4.0 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 36 (2022) 1669-6301 El público Pensotti The Double The Audience Le public/Het Publiek El público Pensotti El doble The Audience Le public/Het Publiek Facing mirrors. The theatrical Spectator as a Double in the Film Trilogy by Mariano Pensotti Espejos enfrentados. El espectador teatral como doble en la trilogía fílmica de Mariano Pensotti info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=11991_oai |
institution |
Universidad de Buenos Aires |
institution_str |
I-28 |
repository_str |
R-145 |
collection |
Repositorio Digital de la Universidad de Buenos Aires (UBA) |
language |
Español |
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spa |
topic |
El público Pensotti The Double The Audience Le public/Het Publiek El público Pensotti El doble The Audience Le public/Het Publiek |
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El público Pensotti The Double The Audience Le public/Het Publiek El público Pensotti El doble The Audience Le public/Het Publiek Trastoy, Beatriz Facing mirrors. The theatrical Spectator as a Double in the Film Trilogy by Mariano Pensotti |
topic_facet |
El público Pensotti The Double The Audience Le public/Het Publiek El público Pensotti El doble The Audience Le public/Het Publiek |
description |
The multiple intertwining of duplicities characterizes the creative project of Mariano Pensotti, attributable perhaps to his double artistic training as a theatrist and filmmaker, which constitutes a kind of constructive principle involving not only almost all of his plays, but also the film trilogy: El público, The Audience and Le public/Het Publiek, filmed in Buenos Aires, Athens and Brussels, respectively, between 2019 and 2022. The article analyzes how the recurrence of the theme of the double in its multiple works gives new senses to the confluence of languages in the crossing of artistic disciplines and, at the same time, explores the possibility of discussing the always attributed ephemeral character of the scenic, as the theatre, by remaining in the consciousness of the viewer, becomes as durable as other works of art.
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format |
Artículo publishedVersion |
author |
Trastoy, Beatriz |
author_facet |
Trastoy, Beatriz |
author_sort |
Trastoy, Beatriz |
title |
Facing mirrors. The theatrical Spectator as a Double in the Film Trilogy by Mariano Pensotti |
title_short |
Facing mirrors. The theatrical Spectator as a Double in the Film Trilogy by Mariano Pensotti |
title_full |
Facing mirrors. The theatrical Spectator as a Double in the Film Trilogy by Mariano Pensotti |
title_fullStr |
Facing mirrors. The theatrical Spectator as a Double in the Film Trilogy by Mariano Pensotti |
title_full_unstemmed |
Facing mirrors. The theatrical Spectator as a Double in the Film Trilogy by Mariano Pensotti |
title_sort |
facing mirrors. the theatrical spectator as a double in the film trilogy by mariano pensotti |
publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
publishDate |
2022 |
url |
http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11991 http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=11991_oai |
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