Yo (él) en "Muerte sin fin" de Gorostiza: la sustancia y la forma
The present paper presents an analytical reading of José Gorostiza’s poem on which writers and academics in Mexico have spoken and written extensively and with great admiration. It is a poem that Octavio Paz, to synthesize content and grasp its constitution, identified as “rock crystal watch.” This...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Instituto de Literatura Hispanoamericana (Facultad de Filosofía y Letras, Universidad de Buenos Aires)
2014
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/zama/article/view/1140 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=zama&d=1140_oai |
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| Sumario: | The present paper presents an analytical reading of José Gorostiza’s poem on which writers and academics in Mexico have spoken and written extensively and with great admiration. It is a poem that Octavio Paz, to synthesize content and grasp its constitution, identified as “rock crystal watch.” This is perhaps the most important work of a group called the Contemporáneos, which, in its aesthetic and its public attitudes, opposed to the degradation and abuse of the nationalism in the culture of post-revolutionary regime of México, and in doing so opened the intellectual horizons, independent from government power. |
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