La canción en el rock argentino, Almendra, un comienzo

This work deals with the songs of a foundational album in the history of rock in Argentina: Almendra. Recorded between April and September 1969 at T.N.T. studios and edited by RCA, Sony Music, the album contains nine songs characterized by poetic and musi...

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Detalles Bibliográficos
Autor principal: Goldsack, Elina
Formato: Artículo revista
Lenguaje:Español
Publicado: Universidad Nacional del Litoral 2020
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Acceso en línea:https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/9712
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Sumario:This work deals with the songs of a foundational album in the history of rock in Argentina: Almendra. Recorded between April and September 1969 at T.N.T. studios and edited by RCA, Sony Music, the album contains nine songs characterized by poetic and musical eclecticism. Considering this album as a hinge of the Argentine popular song, we intend to investigate fundamentally the text-music relationship, focusing on that complex link where the saying of the word and the saying of the sounds are enhanced. Where is the innovation in relation to this link? In metric particularities? In ways that do not respond to the verse-chorus scheme? In harmonies or melodies that emphasize these particularities? From musical analysis focused on these aspects, we try to find some answers.  This research is framed in the CAI + D 2016 «Changes in innovations in Argentine popular song from the ‘60. Challenges to the current categories» that takes place at the Instituto Superior de Música of the Universidad Nacional del Litoral.